By Karen Wyld
Originally published on Indigenous X 29 August 2018
Over seventy Aboriginal and Torres Strait Islander writers, poets and playwrights recently gathered in Canberra. From 23 to 26 August 2018, this third national gathering presented by First Nations Writers Network (FNAWN) provided spaces for writers to talk craft and aspirations
The workshop theme Sovereign People: Sovereign Stories was apt, given many First Nations writers use story to highlight issues of relevance to their communities – from recent times, right back to the invasion – and to imagine a fairer future.
FNAWN also co-presented an inspiring evening with Canberra Writers Festival at the National Library of Australia on 25 Augusts. Introduced by Chella Goldwin from Us Mob Writing, poets Ellen van Neervan, Charmaine Papertalk Green, Jeanine Leane and Yvette Holt read poems in response to the NAIDOC 2018 theme Because of Her We Can.
This was followed by a panel discussion hosted by Cathie Craigie with Alexis Wright (via Skype), Kim Scott and Melissa Lucashenko, on the theme Sovereign People: Sovereign Stories.
Observing new writers talking passionately at the FNAWN workshop with some of Australia’s most awarded writers, it’s evident that Aboriginal and Torres Strait Islander writers have established themselves as an unstoppable force within Australian literature.
To present a complete list of publications by the writers that attended the FNAWN workshop would be a daunting task. Instead, I have compiled a short list of recent books by a few of the presenters.
Kim Scott is a Noongar man from Western Australia and an established writer of much esteem. Kim is Chair of the Wirlomin Noongar Language and Story Project and Professor of Writing in the School of Media, Culture and Creative Arts at Curtin University.
He has been shortlisted for three Miles Franklin Awards, and the recipient of two. Taboo, Kim’s fourth book, was the recipient of the NSW Premier’s Literary Awards Book of the Year and Indigenous Writers Prize.
Taboo explores facing up to the past, no matter how difficult that might be. Set in rural south-west WA, it tells the story of a group of Wirlomin Noongar people who revisit a massacre site after many generations. They have been invited by the elderly owner of the farm on which the colonial violence occurred, who wishes to fulfil his wife’s dying wish for reconciliation.
Parts of the story are brutal, overlapping past violence with a current generation that is dealing with racism, abuse, addiction and incarceration. This is balanced with language revival, reconnecting with land, decolonisation, and a sense of hope.
In reviewing Taboo, Melissa Lucashenko stated “This is a complex, thoughtful and exceptionally generous offering by a master storyteller at the top of his game.”
Alexis Wright, a Waanyi woman, is an award-winning writer from Queensland. A past recipient of the Miles Franklin, Victoria and Queensland Premiers’ Literary Awards, Alexis Wright’s latest book, Tracker, was awarded the 2018 Stella Prize and 2018 Magarey Medal.
She is currently the Boisbouvier Chair in Australian Literature at the University of Melbourne.
Tracker is a biography of Tracker Tilmouth, an Aboriginal activist and visionary who passed away in 2015.
Melissa Lucashenko, a Goorie writer, has set her latest novel on Bundjalung country in New South Wales. Melissa was awarded the 2016 CAL Fellowship to work on Too Much Lip.
Melissa is the past recipient of the Deloitte Queensland Literary Award for Fiction and the Victorian Premiers Prize for Indigenous Writing. She is also a Walkley Award winner for non-fiction.
Released in August 2018, Too Much Lip has already received strong reviews. Melissa’s sense of humour and intellect shines though in this modern story, as does hidden histories. Melissa has said that she felt as if her great-grandmother was her muse throughout the writing of this novel.
The protagonist Kerry Salter returns home on a stolen motorbike to pay her respects to her grandfather, who is dying. Amongst the drama of family dysfunction and Kerry’s attraction to an outsider, there is the fight for the Salter’s ancestral lands.
Charmaine Papertalk Green is a Wajarra, Badimaya and Yamaji woman from Western Australia. A visual and installation artist, Charmaine has been writing poetry since the 1970s.
False Claims of Colonial Thieves is a collaboration between Charmaine and John Kinsella, a well-known Western Australian poet. This book of poetry explores identity, colonisation, politics, hope and country by weaving together the voices of a Yamaji and non-Indigenous writer.
Dub Leffler, a descendant of the Bigambul people of south-west Queensland, is a writer and illustrator of children’s literature. His award-winning books are sold internationally. He has written two books and illustrated 23.
Sorry Day was developed with Melbourne-based children’s writer Coral Vass. Through entwining two stories, the book highlights the importance of the Apology to the Stolen Generations – Aboriginal and Torres Strait Islander children removed under past government policies. Sorry Day is suitable for readers aged 5+ and is suitable for starting discussions about Australian history.